W Payne & Son, Great Western Railway Co Agents, Bampton and Lechlade. Cab & Omnibus Proprietors, horses, brakes, carriages etc for hire. Cartage contractors and furniture removers. Chief office The Hill, Witney Oxon. Railway depots Bampton, Chipping Norton and Lechlade. The remains of one of their ads in black lettering can be seen on the side of their house which was Castle View in Bridge Street.

This advert is in the 1911 Kelly's Trade Directory

The Horse Fair in Bridge Street looking east. At one time, it was one of the larger horse fairs in the country. Boys with barrows collected the horse dung for sale. The Wheatsheaf became the post office in 1972 and a private house in 2010 when the post office moved to the middle room of the Town Hall. The three semi-circular windows in the first floor of was the HSBC bank (in 2014) and Patrick Strainge butchers have been altered at some point to look like their neighbouring upstairs windows.

Soldier in Military Uniform
possibly Ernest Daniels

Corporal William Woodley, of the 2nd battalion Royal Berkshire Regiment. Photographed with his wife 1918 or 1919. Lent by Maurice Woodley.

This is a picture of Bampton Town's football club in the 1918-1919 season.The man in the stripped top next to the man in the bowler hat is Bill Hudson.

Photograph showing the service and crowds taking part in the inauguration of the War Memorial in 1920

Sam Bennett born (1865-1951) from Ilmington, a frequent dancer and musician in Bampton, this photo dated 1920
Sam had the distinction of being called “a rotter” by Cecil Sharp. He was responsible for reviving the Morris tradition in the Warwickshire village of Ilmington. Although a fiddle player himself, he learned the tunes from a local pipe and tabor player, Tom Foster, who “no longer had enough teeth to hold the pipe in place” In the process of reviving the dances, Bennett did some improving and inventing along the way. To Sharp, this was inexcusable meddling; what he most treasured about traditional dance was that is was supposedly not the work of individual creativity, but of centuries of continuous evolution by the common, preferably uneducated people. Bennett was recorded in 1933 by a Harvard academic, James Madison Carpenter. Being a self-taught fiddler, and having learned his tunes directly from a piper, it is little wonder that his playing, though very rhythmic, was plain and unadorned except with frequent open-string drones.

Photo of Billy Dewe with another Morris Dancer possibly standing outside a cottage in Lavender Square