1e. Second page with many signatures, different date

1e. Second page with many signatures, different date

1f. Second page dated May 4th 1859

1f. Second page dated May 4th 1859

Photos of Alley ways and paths supplied by Andrew Hilditch
Path from The Pieces to Aston Road, Broad Street, west side, Queen St to Bushey Row path by Bampton House

Images of Ampney Orchard in 1988

PDF Handwritten notes by Keith Chandler about Arnold Woodley restarting his Morris Team lots of facts about members of the team.
Listed below
Albert Townsend
Alec Wixey
Alistair Cook
Andrew Bathe
Andrew Carruthers
Andrew Pearman
Anthony Collett
Arnold Woodley
Bernie Basson
Clive Tanner
Colin Bathe
Colin Knight
Colin Leach
Charlie Buckingham
Don Fidler
Frank Purslow
Fred Fowler
Fred Scott
Geoffrey Adams
Graham Cook
Jim Townsend
Julian Fidler
John Pearman
John Titchener
Johnnie Buckingham
Ken Andrews
Lawrence Adams
Malcolm Willis
Martin Hewett
Mathew Green
Matt Curruthers
Mike Bowden
Nick Carruthers
Patrick Wixey
Paul Wixey
Richard Buckingham
Robin Connaughton
Steve Govier
Trevor Hewett

Photograph by Michael Cooper showing Morris Dancers in Church View with names
2004

Series of Photos showing the last days of the Horsa Buildings annexed to The Old Bampton School Building. These were built in 1947, and were once The Canteen and Dining Room, The Domestic Science Block, The Woodworking Room, The Geography Room,
The Head Master's Office.

Sam Bennett born (1865-1951) from Ilmington, a frequent dancer and musician in Bampton, this photo dated 1920
Sam had the distinction of being called “a rotter” by Cecil Sharp. He was responsible for reviving the Morris tradition in the Warwickshire village of Ilmington. Although a fiddle player himself, he learned the tunes from a local pipe and tabor player, Tom Foster, who “no longer had enough teeth to hold the pipe in place” In the process of reviving the dances, Bennett did some improving and inventing along the way. To Sharp, this was inexcusable meddling; what he most treasured about traditional dance was that is was supposedly not the work of individual creativity, but of centuries of continuous evolution by the common, preferably uneducated people. Bennett was recorded in 1933 by a Harvard academic, James Madison Carpenter. Being a self-taught fiddler, and having learned his tunes directly from a piper, it is little wonder that his playing, though very rhythmic, was plain and unadorned except with frequent open-string drones.