Dancing outside the Wheatsheaf in 1956 Roy Shergold fooling

Black and white photo of Morris dancers taken on 1951
outside Elephant and Castle,

Black and white photo of Morris dancers taken on in 1934
Jingy Wells on fiddle, George 'Punch' Smith, Reg Whitlock Dancer

10 Individual photographs of Morris Dancer's garments worn by Jingy Wells ,
Painting by of Jingy Wells plus fiddle by Bateman

Black and white photo of Morris dancers taken on 6th June 1927
left to right Tanner snr. Billy Flux, E Lay, Hudson. Bertie Hunt, Freddie Tanner, (written on back)

Sam Bennett born (1865-1951) from Ilmington, a frequent dancer and musician in Bampton, this photo dated 1920
Sam had the distinction of being called “a rotter” by Cecil Sharp. He was responsible for reviving the Morris tradition in the Warwickshire village of Ilmington. Although a fiddle player himself, he learned the tunes from a local pipe and tabor player, Tom Foster, who “no longer had enough teeth to hold the pipe in place” In the process of reviving the dances, Bennett did some improving and inventing along the way. To Sharp, this was inexcusable meddling; what he most treasured about traditional dance was that is was supposedly not the work of individual creativity, but of centuries of continuous evolution by the common, preferably uneducated people. Bennett was recorded in 1933 by a Harvard academic, James Madison Carpenter. Being a self-taught fiddler, and having learned his tunes directly from a piper, it is little wonder that his playing, though very rhythmic, was plain and unadorned except with frequent open-string drones.