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February 23rd 1974 Letter from Arnold Woodley to all his team

  • BCA - 2017.1069
  • Item
  • February 23rd 1974

Arnold Woodley was squire of the Bampton Morris Men and in 1974 they danced in Cecil Sharp House in London. There was something of a falling out between the squire and his men and he wrote this same letter to each when he got home.

Bampton Community Archive

Musicians with the Bampton Morris Men

  • BCA - 2017.1142
  • Item
  • 1980s

Arnold Woodley squire of the Bampton Morris Men on the left playing the fiddle, Brendan Cassidy on fiddle in the centre and Frank Purslow on the right.

Bampton Community Archive

Arnold Woodley & his musicians 1974 outside the Jubilee

  • BCA - 2017.1145
  • Item
  • 1974

Arnold Woodley and his musicians outside the Jubilee Inn in the Market Square in 1973. Frank Purslow on melodeon, Andrew Bathe on fiddle and Arnold on fiddle playing for the Bampton Morris Men

Bampton Community Archive

Letter accepting invitation to Morris Party by Pete Cock and Vic Legg 1981

  • BCA - 2017.270
  • Item
  • 1981

A letter from Vic Legg to Dave Rose accepting the invitation to attend the Bampton Traditional Morris Men's party November 1981 along with Pete Cock. About 1980/1 Trigg Morris were guests on Bampton's day of dance. They will be coming up from Bodmin in Cornwall. Pete and Vic were members of Trigg Morris in Bodmin, Cornwall.

Nik Stanbridge

Sam Bennett from Ilmington in Warwickshire

  • BCA - 2019.1801
  • Item
  • 1950s

Sam Bennett. He moved to Warwickshire but walked to Bampton to fiddle for the Morris at Whitsun. He would arrive at Mr & Mrs Townsend's Castle Farm on Bridge St and announce 'I be 'ere'. To earn his keep, he'd stay on for a few weeks doing farm work for Mr Townsend.

"The war took away many of the young men, and for the first time in recorded history the Whit Monday performances were suspended during 1917 and 1918. However, Wells had recently taught the dances to a group of men at Alvescot, and on the Whit Monday 1919 two of these stepped into the reformed Bampton set. One stayed only that year, but the older, William Flux, had married a daughter of long-time lead dancer Thomas Tanner, and became the organiser of the team.

This brought him into conflict with Wells - Flux wanted them to dance more at Pubs, Wells at the private houses - and this reached crisis point in 1925. The following year Wells refused to play for them, so both Bertie Clark from Alvescot and Sam Bennett from Ilmington were drafted in to provide music.

In 1927, for the first time in recorded history, two teams appeared on the streets: the old side under Tanner and Flux, and a young side recently raised by Wells. They continued in relatively peaceful co-existence for some years, but by the mid 1930s performances by the Tanner side were more sporadic, with only Wells fielding a team most Whit Mondays.

The final appearance by the Tanner team was in 1941, and it was left to Wells to keep it going during the war, and beyond." Keith Chandler

Nik Stanbridge

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